A rumination on Salinger’s comment about writing for pleasure

by DRM

Here’s the quote again. It’s been lin­ger­ing in my mind.

I like to write. I love to write. But I write just for myself and my own plea­sure.
J.D. Salinger

This epi­taph is scat­tered promi­nently across the web since J.D. Salinger’s death. It’s the sim­plest way to explain Salinger’s long silence: his own words.

I won­der whether I had read the quote before and dis­missed it. I’ve won­dered at the choice of the word “Plea­sure,” and what Salinger meant to connote.

Was writ­ing an act of dis­cov­ery? Some­times learn­ing means expe­ri­enc­ing dis­com­fort. Was Salinger really writ­ing just for him­self, and if he was did he have the men­tal dis­ci­pline to stay after the kind of writ­ing that led him to new places? Or did he mean plea­sure pre­cisely, in that the activ­ity of writ­ing gave him com­fort, solace and secu­rity, the con­fi­dence of his inter­nal voice.

Even if we could read the things that he had writ­ten dur­ing the long quiet we wouldn’t be able to know. The true mea­sure would be in the lot of the man, whether he felt as he wrote a quick­en­ing, a sud­den sense that he was mov­ing into a new place, and that from that place he could see him­self, his world and the rela­tion­ship between things with greater con­fi­dence and understanding.

That can be plea­sure. It can be dif­fi­cult, and the stretches between illu­mi­na­tion can be labo­ri­ous and frustrating.

Lil­lian Ross wrote about Salinger in The New Yorker.

A sin­gle straight fact is that Salinger was one of a kind. His writ­ing was his and his alone, and his way of life was only what he chose to fol­low. He never gave an inch to any­thing that came to him with what he called a “smell.” The older and crankier he got, the more con­vinced he was that in the end all writ­ers get pretty much what’s com­ing to them: the destruc­tive praise and flat­tery, the killing atten­tion and appre­ci­a­tion. The trou­ble with all of us, he believed, is that when we were young we never knew any­body who could or would tell us any of the penal­ties of mak­ing it in the world on the usual terms: “I don’t mean just the pretty obvi­ous penal­ties, I mean the ones that are just about unno­tice­able and that do really last­ing dam­age, the kind the world doesn’t even think of as dam­age.” He talked about how eas­ily writ­ers could become vain, com­plain­ing that they got puffed up by the same “author­i­ties” who approved putting monosodium glu­ta­mate in baby food.

How do you keep from get­ting puffed up?

This blog is what it says it is: a place for things that don’t have a place else­where. My writ­ing related to my pro­fes­sional life is pub­lished on a blog with a pretty broad audi­ence. The writ­ing I do on sto­ries and longer projects is filed away on hard dri­ves and in file cab­i­nets. What makes its way on the blog are images that attract me, or things that have made me think, or bits and pieces of writ­ing that I wanted to get down.

It’s all out there on the web. But I don’t try to pro­mote it, or me, or who I am and what I do and what I want.

A few weeks ago, I found a funny item about Google rec­om­mended search terms and put together a brief post com­ment­ing on it. I left a link on the orig­i­nal poster’s blog.

For a cou­ple of days, drm got traffic.

drmtraffic.png

Traf­fic that’s way out­side the norm of one or two read­ers a day who’ve found their way here because of a ran­dom search or a link.

The spark in traf­fic shifted the way I was think­ing. What do I need to do to keep build­ing an audi­ence, I wondered?

But that’s not what I’m try­ing to do here. I don’t want the path that gets you to puffed up and far away from sim­ple truths. I like the dis­cov­ery and learn­ing that comes with writ­ing well. In this case, “well” is defined by honesty.